Archive for February, 2009

Encounter ’09: Art In Action – A Night with Billy Collins, Makoto Fujimura, and Helen Sung

Friday night’s event, a part of the International Arts Movement’s Encounter ’09: Art In Action, was a night meant to enrich and re-humanize. Featuring a reading from Billy Collins and a jazz performance from Helen Sung and her band, the evening opened with a speech from International Arts Movement (IAM) founder, Makoto Fujimura, who urged attendees to pursue the “gratuitous benevolence” of art, erasing the conception of art as a commodity and re-establishing it as a gift.

Fujimura spoke of fifteenth century Japanese tea master, Sen no Rikyu, who believed that art played a significant role in the everyday lives of ordinary people. According to Fujimura, “He did not advance tea, but brought it back to its most basic essence… the old things are passing away, and the new has yet to come.” As the evening was meant to show, this “new” entails an advent of artistic endeavors, calling on humanity’s duty to create from the ashes – an especially poignant calling since the Tribeca Performing Arts Center, where the events unfolded, is quite close to the 9/11 memorial, which Fujimura repeatedly referenced.

As Public Relations Coordinator Christy Tennant summarized, IAM is “a non-profit arts organization that promotes cultural artifacts, which promote goodness, truth, and beauty.” Fujimura founded the movement eighteen years ago when he traveled to the Philippines to do humanitarian work. Since he could only bring one suitcase, Fujimura filled it with artwork instead of clothes and set up an impromptu exhibit in his hotel. People were drawn to the beauty of the art, leading him to the realization that more of humanity should be exposed to good and beautiful art – including the visual, musical, and written, leading to greater happiness and fulfillment.

Thus, the group hosts a yearly Encounter for artists of different media to come together. As Tennant argues, “Artists need to learn from each other and be inspired… Painters should read literary journals, and musicians should spend time in art museums… We can’t just rely on what’s inside of ourselves; we need to seek inspiration from outside sources.”

Thus, this year’s Encounter, meant to inspire participants to use their art for good around the world, invited Billy Collins, former United States Poet Laureate, to read from his work. Tennant explains, “We love seeing good art and good literature celebrated, and poetry is something that used to be really popular in our country. Now, I would challenge anybody to name the current Poet Laureate.” IAM sees Collins as a poet who has brought poetry back in a lot of ways – mainly due to the highly accessible and human nature of his poetry.

Thus, the evening blended philosophy, jazz, and poetry, moving from Fujimura’s speech on the glories of art and the duties of artists to a jazz performance by Helen Sung and accompanists, who blended poetry and music. Finally, the night concluded with a reading from Billy Collins, who shared poetry and anecdotes in his affable voice. As Collins joked, “The subject of poetry is basically death… if you’ve been to college and majored in English, you know that you probably majored in death.” Yet, for Collins, even death can produce a funny poem.
Overall, though, the evening was a great success, urging listeners, as Tennant summarizes, “to go home and make art, or poetry, or dances, or books, or whatever that will serve to re-humanize the world.”

Students can get involved with the International Arts Movement by joining their group on Facebook or visiting their website at http://www.internationalartsmovement.org.

Posted by

eweaver

February 28, 2009

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Retro Sounds For The New Venue

Le Poisson Rouge, the new kid on the proverbial music venue scene, had a show that took them back in time, to when almost long-forgotten genres like disco, funk and afro-beat, respectively roamed the airwaves, Wednesday night with their show of Chin Chin opening up for the Budos Band.

Wednesday night, Brooklyn-based bands, Chin Chin, who dabbles with electro-pop, elements of disco, and with brass and percussion instruments, and Budos Band, an afro-beat reincarnation of old bands of Fela Kuti with much more funk, provided a dance party that the retro back into the brand-new venue in West Village.

Chin Chin opens the night with song off their self-titled album, and the crowd began to dance. The sound permeated throughout the venue and everyone, from those right at the stage, to those in the back, lounging on the furniture, began to dance in a sort of shuffle, as the synthesizers and trumpets serenaded the crowd. Then as the lead singer brought out his vocoder, the crowd went crazy and the dancing grew until their set had ended.

Then as Budos Band began setting up for their set, the party kept going with DJ Raw Fusion some dance and boogie records, and moved into a funk set. People moved out of the center, and many began exploring the new venue and its intricacies, such as the tilted fish tank right as you walk into the venue, or the straps and belts on the stairs, or the gallery that is also a part of Le Poisson Rouge.

After, Budos Band took the stage, and the dance party grew larger, as the 12-man band filled with brass and percussion instruments blessed the crowd with songs off their two albums, “Budos Band” and “Budos Band II.” They also played a few songs that will be featured on their upcoming album, which may have a funkier sound based on the exclusive songs they played. And with every song, the crowd was just more into the atmosphere and danced more and more. In all, a great show for the Budos Band and Chin Chin, and for Le Poisson Rouge for being a great place to showcase the ever-growing indie-scene in New York.

Posted by

wavendano

February 28, 2009

50 States of Literature: New Mexico

Stephen Ausherman’s Typical Pigs could easily be grouped, based on its synopsis, for a contemporary rip-off of One Flew Over the Cuckoo’s Nest. Indeed, much of the conflict in the book centers around a home for mentally handicapped adults. But the narrator of this darkly poignant and at times even deliciously wicked novel is not McMurphy the con-man but Kenneth Godwin, an employee at the home who may belong better in treatment. Likable even as he is incredibly twisted, Godwin spends his time playing “Barabbas.” This is a game which involves taking the worst of situation and exacerbating it, even against his interests and certainly against his better nature. When this quasi-Iago recruits his friend Hank and another employee to join his twisted game among the patients, the book enters a field that is both horrible to contemplate and impossible to avert one’s gaze from. New Mexico works itself into Ausherman’s narrative as a place of cottonwood and oil, of sunlight that never ends and of volcanoes smoldering patiently in hibernation. The land has “a foreign feel to it, in the sense that locals make you feel welcome to stay no longer than two weeks.” Yet one wants to stay in Ausherman’s world, even as it devolves, for the characters are as beautiful and provocative in their flaws as the landscape is stunning in its bare-bones architecture. We may hate Kenneth at some points, but we never want to abandon his narrative, and his emotional rebellion, his willingness to stretch the boundaries of his own malice, is invigorating even as, in relation to the other characters, it becomes achingly tragic.

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mjones

February 28, 2009

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A revolving storefront you don’t want to miss- 303 Grand

Get your experimental shopping experience on at the CHOICE Festival—March 1st through 15th—to celebrate the grand opening of 303GRAND, a revolving storefront for creative concepts. A project by the Alterna-marketing company StreetAttack, the Williamsburg space will feature a new medium each day via pop-up stores and art events— expect fashion, live art, technology, illustrators, photographers, film, paintings, street art, and more (aka the innumerable possibilities of a 1,400 square foot white box). Visit the website for details and to RSVP for free events: www.303grandnyc.com, 303 Grand St, Brooklyn, NY 11211.

303 Grand

living art tableaux

Living Frame Part II : America's Most Unwanted

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smcneill

February 26, 2009

Columbia Festival of Winds Kicks Off This Sunday

 

On Sunday, March 1, 2009, the fruits of over a year of hard work and effort on the part of five dedicated musicians will be presented to the public. The first annual Columbia Festival of Winds will take place in Roone Arledge Auditorium from 12p.m. to 9:30p.m. and feature many wind ensembles from around the city, as well as guest performances by the Wycliffe Gordon Quartet, Manhattan Brass, and a presentation by Ted Wiprud, Director of Music Education at the New York Philharmonic.

 

The proceeds of the Festival will go towards an initiative entitled Making Music Matter, a program that will establish an afterschool music program at a public school in New York City’s District 5. Members of the Columbia University Wind Ensemble will volunteer to teach music through this program with newly purchased or rented instruments, music stands, and sheet music.

 

Also involved in the development of the music education program is the Morningside Area Alliance, an organization which works to develop the community of Morningside Heights culturally and educationally. Programs in the past have included Columbia University students tutoring middle school students in math and science, and the new music education program will be the next innovative project that works to link Morningside institutions with the surrounding area.

 

Student groups scheduled to perform at this momentous event include the Gilad Edelman Quintet playing with Don Sickler, the Frank Sinatra High School Band, the Grand Street Band, the ISO Symphonic Band, the Booker T. Washington Band, and the Columbia University Wind Ensemble. Two guest performances will include the Wycliffe Gordon Quintet and Manhattan Brass. Lastly, a keynote address will be given by Ted Wiprud, NY Philharmonic Director of Education.

 

Having sat down with Jeremy Seltzer, President of the CU Wind Ensemble, I was able to grasp a sense of the amount of time and labor that was needed to make this event not only happen, but happen on a scale so large as to elicit a formal letter from Mayor Bloomberg.

 

The idea first occurred to Seltzer last year when Columbia exchanged wind ensembles with both Dartmouth and Yale for some fall concerts. First, the idea of an Ivy-League Wind Festival was considered but proved too complicated logistically. This was transformed into a New York City Festival of Winds, then a New York City Festival of Bands, and lastly the Columbia Festival of Winds, which also incorporates high-school groups and guest artists.

 

When asked why Seltzer wanted to embark on this strenuous but ultimately rewarding journey, he modestly said that he has never been a serious musician, but has always been serious about music. He almost paradoxically expressed his fear of disliking playing the saxophone if he takes it too seriously to the point where it becomes an obligation to practice, along with his ardent desire to spread music awareness and make it possible for others to appreciate it in the deep way that he does.

 

“I wanted to leave a mark,” he said simply. But on a deeper level, he sees music education as the responsibility of those already indebted to the wonders of music. “Music is a quintessential element that distinguishes our humanity” is the quote that he has repeated to both himself and others many times, and it epitomizes his sentiment that music is a basic and almost natural human right. Seltzer believes that many people desire and need music to communicate and express themselves effectively; he believes that language alone is not sufficient in many cases.

 

Therefore, Seltzer took it upon himself to fulfill this duty to humanity. His sentiment of obligation is summed up in a quote from Aristotle’s Ethics: “That which is cared for by most is cared for the least,” meaning that although music is obviously acknowledged by the majority of people, very few actually act upon the need for music education. As Seltzer put it, “Someone has to step up.” He sees this responsibility as imperative, as well as a shared responsibility among all people who appreciate music.

 

Along with Seltzer, behind the scenes of the Festival there exist four other key people: students Paul Lerner, Sarah Sechan, Justine Ordinario, and conductor and music director of CUWE Andrew Pease. These five people make up the core committee that has been meeting at least once a week for months planning details regarding the event. These details, not by any means insignificant, included booking the extremely hard-to-obtain space of Roone Arledge Auditorium, maintaining contact with the various music directors of each of the ensembles, and devising a standard curriculum for the soon-to-be music program in District 5, to be approved by the Superintendent. Seltzer explains that the “ebb and flow of excitement” gave them the energy to continue: “There were a lot of ups and downs, but every time we got something going right we were motivated to keep going.”

 

As an oboist myself and a former member of the ISO Symphony Orchestra in my high school years (as well as a frequent sub for the ISO Symphonic Band), it is especially meaningful for me to witness the pilot of this event. Although the music community on the Columbia campus is generally extremely diverse and innovative, incorporating many talented and creative musicians, it without a doubt overlooks the importance and prominence of wind players in the orchestral, wind ensemble and chamber music settings.

 

Thus, besides establishing a much needed music program at a public school and setting a higher standard for the level of commitment musicians should demonstrate towards the younger generation, perhaps this event will stimulate a newfound appreciation for wind and brass players. Music education is simply about awareness and experience; this Festival specializing in the less common, less well-known instruments will undoubtedly enlighten some people in the audience, and most importantly, some children.

 

Posted by

crice

February 26, 2009

Get Lost and Damned with GTAIV

Xbox 360 owners got a pretty sizable add-on download to Grand Theft Auto 4 last Tuesday with the $20 The Lost and Damned expansion pack. Does it manage to improve upon GTA4’s flaws? (more…)

Posted by

Kevin Ciok

February 25, 2009